The artist Nihei is really gifted to draw buildings and he creates an empty world left with never ending growing buildings, metallic structures, and deadly creatures out to get you. This dark, gritty, alienating, violent cyberpunk manga is really good. She faints during the following safeguard attack while Killy faces Sana-Kan. The way is barred by a fire, so Cibo brings a builder to repair the damage. The armed locals force Sana-Kan to retreat, but the locals need to move into Toha Heavy Industries to safe from another attack. A fight breaks out between Sana-Kan and Killy with the former having the upper hand. Sana-Kan reads as safeguard and, before Killy can stop her, she deploys her kill mode and infects the locals. Killy begins to understand the readout on his retina. While Killy is being healed, Sana-Kan figures out how to gain access to Toha Heavy Industries, a building the locals haven't been able to get into. On the way they meet the locals who reveal that net terminal genes haven't been used for ages in their town. He and Cibo are joined by Sana-Kan who guides them toward another settlement. Killy is weakened by an injection of nanobots during a fight with the safeguard. The action scenes seem epic, but the confusing artwork makes it nearly impossible to enjoy them. They are descendents of planters, but have forgotten their ancestors' occupation or skills. When Killy and Cibo reach another settlement, the locals reveal they can't read. The decay of society is further highlighted in this volume.
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